{"id":2067,"date":"2020-10-01T12:33:27","date_gmt":"2020-10-01T03:33:27","guid":{"rendered":"http:\/\/www.yurikezuka.jp\/?page_id=2067"},"modified":"2020-10-12T00:08:49","modified_gmt":"2020-10-11T15:08:49","slug":"information-10-years","status":"publish","type":"page","link":"https:\/\/www.yurikezuka.jp\/en\/exhibition\/information-10-years\/","title":{"rendered":"Solo exhibition &#8220;10 years&#8221;"},"content":{"rendered":"<h3>\u201cFrom the oldest materials, creating the present\u201d<br \/>\n<span style=\"font-size: 14pt;\">Yuri Kezuka \u201c10 years\u201d<\/span><span style=\"font-size: 18pt;\"><br \/>\n<\/span><\/h3>\n<p><iframe loading=\"lazy\" src=\"https:\/\/my.matterport.com\/show\/?m=iKJz3waKWUa&amp;klang=en&amp;play=1\" width=\"853\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<span style=\"font-size: 14pt;\"><span style=\"font-size: 10pt;\">Supervised by ARCHI HATCH <\/span><\/span><\/p>\n<p><span style=\"font-size: 14pt;\"><strong>\u201cFrom the oldest materials, creating the present\u201dYuri Kezuka \u201c10 years\u201d<\/strong><\/span><\/p>\n<p><span style=\"font-size: 12pt;\">From 09\/Oct\/2020 (Fri) &#8211; 18\/Oct\/2020 (Sun) <\/span><br \/>\n<span style=\"font-size: 12pt;\">10:30 &#8211; 18:00\u203b 09\/Oct from 13:00<\/span><br \/>\n<span style=\"font-size: 12pt;\">Exhibition venue LOGS Building 1F 7-14 Nihonbashiyokoyamacho, Chuo Ward, Tokyo<\/span><br \/>\n<span style=\"font-size: 12pt;\">Opening reception 09\/Oct (Fri) 18:00<\/span><\/p>\n<p><span style=\"text-decoration: underline;\">Please wear a mask when you come to the venue to prevent infection with the new coronavirus.<\/span><\/p>\n<p><a href=\"http:\/\/www.yurikezuka.jp\/wp\/wp-content\/uploads\/2020\/08\/LOGSbuilding.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1933\" src=\"http:\/\/www.yurikezuka.jp\/wp\/wp-content\/uploads\/2020\/08\/LOGSbuilding.png\" alt=\"\" width=\"173\" height=\"260\" \/><\/a><br \/>\nLogs bldg.<\/p>\n<p>An exhibition will be held to look back on the creative activities of Yuri Kezuka, who has celebrated 10 years as an artist this year. In light of the current novel coronavirus situation, the exhibition is planned to be opened online, using 3D scanning, together with the exhibition venue. You are invited to experience the new potential of art appreciation online this \u201cart\u201d autumn.<\/p>\n<p><a href=\"http:\/\/www.yurikezuka.jp\/wp\/wp-content\/uploads\/2019\/11\/Insideweb.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1816\" src=\"http:\/\/www.yurikezuka.jp\/wp\/wp-content\/uploads\/2019\/11\/Insideweb.jpg\" alt=\"\" width=\"400\" height=\"300\" srcset=\"https:\/\/www.yurikezuka.jp\/wp\/wp-content\/uploads\/2019\/11\/Insideweb.jpg 1000w, https:\/\/www.yurikezuka.jp\/wp\/wp-content\/uploads\/2019\/11\/Insideweb-300x225.jpg 300w, https:\/\/www.yurikezuka.jp\/wp\/wp-content\/uploads\/2019\/11\/Insideweb-768x575.jpg 768w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a>\u3000<a href=\"https:\/\/www.yurikezuka.jp\/wp\/wp-content\/uploads\/2015\/06\/ai4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-310\" src=\"https:\/\/www.yurikezuka.jp\/wp\/wp-content\/uploads\/2015\/06\/ai4-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" srcset=\"https:\/\/www.yurikezuka.jp\/wp\/wp-content\/uploads\/2015\/06\/ai4-216x300.jpg 216w, https:\/\/www.yurikezuka.jp\/wp\/wp-content\/uploads\/2015\/06\/ai4.jpg 685w\" sizes=\"auto, (max-width: 216px) 100vw, 216px\" \/><\/a><\/p>\n<p>Exhibition introduction by Tohru Matsushita<\/p>\n<p>Using the medium of clay, Kezuka recreates mass-produced everyday objects such as buckets, taps and rubber gloves. Her work is characterised by the use of \u201ccoil building\u201d, a primitive pottery technique used to create 3-dimensional structures. A piece that may look like a dirty bucket at first glance, is actually composed of dense laminated clay and overlapping layers of glistening glaze on closer inspection. Kezuka expresses an extreme contradiction between \u201cform of the motif (image)\u201d and \u201cquality of detail (texture)\u201d, creating a lag between how we \u201cview the object\u201d and how we \u201cperceive the object\u201d. This \u201cperception lag\u201d represents the problem of visual recognition circulating in modern society, such as the detachment between \u201cmatter\u201d and \u201cdata\u201d brought by the internet. Furthermore, Kezuka\u2019s carefully stacking of individual strings of clay to form \u201cready made goods\u201d, followed by the time required to dry and fire the clay, makes the viewer aware of the flow of time passing through matter, contrasting the \u201cinstant nature of ready-made goods\u201d and the \u201crefinement of ceramics\u201d. This flow of time also relates to the enormous gap between how mass-produced goods made from fossil fuels deteriorate in tens of years, whereas ceramics last for tens of thousands of years. Kezuka\u2019s work questions how objects are \u201cviewed\u201d and \u201cperceived\u201d in modern society, whilst considering the various characteristics and meanings held by the medium of clay. By chance, Kezuka\u2019s solo exhibition will be held during the time of the novel coronavirus. The water-related motifs of dirty showers and scrubbing towels in Kezuka\u2019s work holds a special meaning to how we live in the present day. We live in fear of invisible microorganisms that may be attached to the surface of ready-made goods. In a way this point of view overlaps with Kezuka\u2019s work, where clay is layered methodically with glaze to depict stains on ready-made goods. More than \u201cthe past before coronavirus\u201d, I believe that viewing Kezuka\u2019s work in \u201cthe world after coronavirus\u201d will create an even more interesting experience. I do hope you will be able to take a look.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.yurikezuka.jp\/en\/10_years_blog\/\">Blog about &#8220;<strong>10years&#8221;<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cFrom the oldest materials, creating the present\u201d Yuri Kezuka \u201c10 years\u201d Supervised by ARCHI HATCH \u201cFrom the o&hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1214,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_locale":"en_US","_original_post":"2061","footnotes":""},"class_list":["post-2067","page","type-page","status-publish","hentry","en-US"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.yurikezuka.jp\/wp-json\/wp\/v2\/pages\/2067","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yurikezuka.jp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.yurikezuka.jp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.yurikezuka.jp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yurikezuka.jp\/wp-json\/wp\/v2\/comments?post=2067"}],"version-history":[{"count":5,"href":"https:\/\/www.yurikezuka.jp\/wp-json\/wp\/v2\/pages\/2067\/revisions"}],"predecessor-version":[{"id":2109,"href":"https:\/\/www.yurikezuka.jp\/wp-json\/wp\/v2\/pages\/2067\/revisions\/2109"}],"up":[{"embeddable":true,"href":"https:\/\/www.yurikezuka.jp\/wp-json\/wp\/v2\/pages\/1214"}],"wp:attachment":[{"href":"https:\/\/www.yurikezuka.jp\/wp-json\/wp\/v2\/media?parent=2067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}